Hi, Just 2 days back i had steped into 2words infy bloging also... there somthing i found out intresting.... very funny... Sorry budies... those who don't know to read out tamil...!
நம்ம தமிழ்படத்துல வந்த இந்த டயலாக்குக்கு எல்லாம் இப்படி பதில் சொல்லியிருந்தா எப்படி இருக்கும்...
சிட்டிசன்:கோர்ட் சீன்
அஜித்: அத்திப்பட்டினு ஒரு ஓர் இருந்ததே அது தெரியுமா உங்களுக்கு???நீதிபதி: எருமைநாயகம்பட்டினு ஒரு ஊர் இருக்கே அது தெரியுமா உனக்கு???அ: தெரியாதே...நீ: அப்ப அதுக்கும் இதுக்கும் சரியா போச்சு...
காக்க காக்க:
ஜீவன்: அவளை தூக்கறன்டா... உனக்கு வலிக்கும்டா... நீ அழுவடா...
சூர்யா: அவளை தூக்கனா உனக்கு தாண்டா வலிக்கும்... ஏனா அவ 120 கிலோ
சந்திரமுகி:
பிரபு: என்ன கொடுமை சரவணன்...
தலைவர்: எது??? ஜோதிகாவ உனக்கு ஜோடியாப் போட்டதா?
ரமணா:
வி.கா: டமில்ல(Damil) எனக்கு புடிக்காத ஒரே வார்த்தை மன்னிப்புமாணவர்: அது damil இல்ல கேப்டன் தமிழ்
வி.கா: அப்ப எனக்கு damilல பிடிக்காத ஒரே வார்த்தை "தமிழ்"
கௌரவம்:
சிவாஜி: கிளிக்கு ரெக்கை முளைச்சிடுச்சி... அதனால பறந்து போயிடுச்சு...
பத்மினி: ரெக்கை முளைச்சா பறந்து போகமா... பின்ன என்ன நீந்தியா போக முடியும்???
திருமலை படத்துல வர டயலாக்
விஜய்: யார்டா இங்க அரசு???(முதல் நபரை பார்த்து): நீ அரசா?(இரண்டாவது நபரை பார்த்து) நீ தான் அரசா???(மூன்றாவது நபரை பார்த்து) ஓ நீ தான் அரசா???
அந்த நபர்: நான் அந்துமணிப்பா... அரசு குமுதம் ஆபிஸ்ல இருப்பாரு
.............................
நாயகன்:
கமல்: அவனை நிறுத்த சொல்லு நான் நிறுத்தறன்...
டிராபிக் போலிஸ்: டேய் வெளக்கெண்ண... அவன் போகும் போது "கிரீன்" சிக்னல்... இப்ப "ரெட்"டுடா
.............................
ரஜினி: நான் எப்ப வருவேன், எப்படி வருவேன்னு யாருக்கும் தெரியாது! ஆனா வர வேண்டிய நேரத்துல கரெக்டா வருவேன்....
கவுண்டர்: ஏம்பா!!! சாப்பாட்டு பந்திக்கு வந்து பேசற பேச்சா இது??? மாப்பிள்ளை வீட்டு காரவங்க என்ன நினைப்பாங்க....
..........................
சுள்ளான்:
தனுஷ்: சுள்ளான் சூடானேன்... சுளுக்கெடுத்துடுவன்
அடியாள் : ஓ அப்டியா!!! எனக்கு கூட ரெண்டு நாளா கால்ல சுளுக்குப்பா... கொஞ்சம் எடுத்துவிடேன்.....
.......................
மாயாவி:
சூர்யா: யாரா எனக்கு போட்டி??? எனக்கும் யாரும் போட்டியில்ல... நானும் யாருக்கும் போட்டி இல்ல... என்ன சரியா???
சத்யன்: நல்லா தான்டா இருந்த!!! உனக்கு எதுக்குட பன்ச் டயலாக்? அஜித் படம் பாக்காதனு சொன்னா கேக்கறியா???
.........................
படையப்பா
ரஜினி: அழகேசன்னே பொண்ணுங்கள்ல மொத்தம் மூணு வகை. முதல் வகை சாத்வீகம், அடுத்து ப்ரஜோதகம், மூணாவது பயானகம்
செந்தில்: இஞ்சினியரிங்ல உனக்கு இத்தனை கப் எப்படி விழுந்துச்சினு இப்ப புரியுது
..........................
ரெட்:
அஜித்: ரெட் எல்லாத்துக்கும் ஒரு டைம் கொடுப்பான்... மழ நிக்கறதுக்குள்ள
மக்கள்: படத்தை தியேட்டரை விட்டு தூக்கணும்
அஜித்: அது!!!
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அருணாச்சலம்:
தலைவர்: ஆண்டவன் சொல்றான் அருணாச்சலம் முடிக்கறான்.
செந்தில்: இப்படி சொல்லி சொல்லியே பிரசாதம் முழுசா நீயே தின்னுட்ட!!!----
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ரன்:
அதுல்குல்கர்னி: எங்க ஆத்தா போட்ட சோத்துல ரத்தமில்லையா?
விஜயன்: போட்டது சாம்பார் சோறு... அதுல பில்டப்புக்கு ஒண்ணும் குறைச்சலில்ல...
--------------------------
வல்லவன்
சிம்பு: நீ அம்பானி பொண்ணை கல்யாணம் பண்ணி பெரிய ஆளாகனும்னு ஆசைப்படற... நாம் அம்பானியாவே ஆகனும்னு ஆசைப்படறேன்
மக்கள்: இந்த கொடுமையெல்லாம் கேக்கக்கூடாதுனுதாண்டா அம்பானி செத்துப் போயிட்டாரு...
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தவசி
பு.க: புயல் அடிச்சி பொழைச்சவன் இருக்கான் ஆனா இந்த பூபதி அடிச்சி பொழைச்சவன் இல்லடா
இளவரசு: நீங்க அடிச்சு பொழைச்சவன் கூட இருக்காங்களாம்... ஆனா உங்க படம் தியேட்டர்ல பாத்து பொழைச்சவங்க யாரும் இல்லையாம்
All All credits goes to Mr. g_prabhu
Above-picture from India vs Austalia 2nd test match (Sydney) 2008 has umpires, Mark Bensen & Steve Bucknor congratulate each other on a job very well done. Mission accomplished!
Nothing to say :(
Today is the 1st day of Pongal starts with Bhogi… Unfortunately this year also I am away from home this festival as wellL, Here are some information who don’t know what Pongal festival is.
Pongal is one of the most popular harvest festival of South India, mainly Tamil Nadu. Pongal falls in the mid-January every year and marks the auspicious beginning of Uttarayan - sun's journey northwards. Pongal festival lasts for four days. Celebrations include drawing of Kolam, swinging & cooking of delicious Pongal.
Bogi Festival
Bogi festival or Bhogi is the first day of Pongal and is celebrated in honor of Lord Indra, "the God of Clouds and Rains". Lord Indra is worshiped for the abundance of harvest, thereby bringing plenty and prosperity to the land. Thus, this day is also known as Indran. On Bhogi all people clean out their homes from top to bottom, and collect all unwanted goods. This day is meant for domestic activities and of being together with the family members.
Surya Pongal (Main Pongal)
The second day of Pongal is known as 'Surya Pongal' and is dedicated to the Sun God. It is the day on which the celebration actually begins and is also the first day of the Tamil month Thai. On this day the granaries are full, the sun shines brightly, trees are in full bloom, bird-songs resound in the air and hearts overflow with happiness that get translated into colorful and joyous celebrations.
Mattu Pongal
The third day of Pongal is dedicated to cattle and is called Mattu Pongal. People offer prayers to the bulls, cows and other farm animals. Cows and bulls have always held a special place in India. Cows give nourishing milk while bulls and oxen help plough the fields. Thus, Maatu Pongal is a day when cattle are given a well deserved day of rest and are given pride of place. Therefore the farmers honor their cattle friends by celebrating it as a day of thanks-giving to them.
Thiruvalluvar Day / Kanum Pongal
The fourth day of the three-day Pongal celebrations is called Kaanum Pongal. In few places this day is also known as Karinaal or Thiruvalluvar Day. It is dedicated to the sun god, Surya and has its roots in ancient Brahminical tradition. Since Pongal is a rural, agrarian based festival that celebrates the harvests, the sun is a vital part of the proceedings. This is because the Sun is the symbol of life on Earth. Without the Sun, crops cannot sprout and grow. Without the Sun, harvests will not be plentiful.
Pongal is one of the most popular harvest festival of South India, mainly Tamil Nadu. Pongal falls in the mid-January every year and marks the auspicious beginning of Uttarayan - sun's journey northwards. Pongal festival lasts for four days. Celebrations include drawing of Kolam, swinging & cooking of delicious Pongal.
Bogi Festival
Bogi festival or Bhogi is the first day of Pongal and is celebrated in honor of Lord Indra, "the God of Clouds and Rains". Lord Indra is worshiped for the abundance of harvest, thereby bringing plenty and prosperity to the land. Thus, this day is also known as Indran. On Bhogi all people clean out their homes from top to bottom, and collect all unwanted goods. This day is meant for domestic activities and of being together with the family members.
Surya Pongal (Main Pongal)
The second day of Pongal is known as 'Surya Pongal' and is dedicated to the Sun God. It is the day on which the celebration actually begins and is also the first day of the Tamil month Thai. On this day the granaries are full, the sun shines brightly, trees are in full bloom, bird-songs resound in the air and hearts overflow with happiness that get translated into colorful and joyous celebrations.
Mattu Pongal
The third day of Pongal is dedicated to cattle and is called Mattu Pongal. People offer prayers to the bulls, cows and other farm animals. Cows and bulls have always held a special place in India. Cows give nourishing milk while bulls and oxen help plough the fields. Thus, Maatu Pongal is a day when cattle are given a well deserved day of rest and are given pride of place. Therefore the farmers honor their cattle friends by celebrating it as a day of thanks-giving to them.
Thiruvalluvar Day / Kanum Pongal
The fourth day of the three-day Pongal celebrations is called Kaanum Pongal. In few places this day is also known as Karinaal or Thiruvalluvar Day. It is dedicated to the sun god, Surya and has its roots in ancient Brahminical tradition. Since Pongal is a rural, agrarian based festival that celebrates the harvests, the sun is a vital part of the proceedings. This is because the Sun is the symbol of life on Earth. Without the Sun, crops cannot sprout and grow. Without the Sun, harvests will not be plentiful.
Now the latest news everyone is talking about the car recently released at cost of 100000. It’s cheaper than AutoJ. Well we can say some thing like “three-wheeler or an auto-rickshaw made into a car”
Few disadvantage below.
Few disadvantage below.
* uneven weight distribution and hence poor traction control
* poor cornering and poor handling
* poor engine cooling and hence more chance for engine overheating
* almost no boot space and cramped space for rear passengers
* poor cornering and poor handling
* poor engine cooling and hence more chance for engine overheating
* almost no boot space and cramped space for rear passengers
The Best Movie of 2007. Please don't miss this.. watch it Theater... (If possible)
Some more comments & Review about this movie from @ www.ibnlive.com
Don't sign off on your list of the Best Films of 2007 just yet, because ladies and gentlemen, the year's most honourable film has arrived. Taare Zameen Par, directed by Aamir Khan and written by Amole Gupte is the one film you have to watch, even if you haven't watched anything else this year because it's a film with a big heart, an important message, but mostly because it's a film that could change your life.
Who can't relate with Taare Zameen Par's eight-year-old protagonist Ishaan Awasthi who can't seem to get his head around his studies? Be it words or numbers, he struggles to make sense of them, falling way behind his classmates, much to the frustration of his teachers and his parents.
Naturally, it doesn't help that his elder brother is a class topper and a tennis champ to boot. Ishaan meanwhile, is a dreamer who's fascinated with little fish, and spends most days punished outside class letting his imagination run riot. At home, he's mixing colours, painting away instead of doing his homework.
Convinced that some strict discipline will straighten him out, Ishaan's father packs him off to a boarding school, much against both his wife and Ishaan's wishes. Unable to deal with this betrayal, Ishaan goes into a shell at his new school, not only failing to show any improvement in his academics, but also no longer inspired to paint. When substitute art teacher, Ram Shankar Nikumbh, recognizes in him all the symptoms of dyslexia, he takes it upon himself to help Ishaan.
First educating his parents about his condition, then urging the school's principal to give the boy more time to catch up, Nikumbh devises unconventional methods to teach the boy, and succeeds eventually in changing his life forever.
There should be no doubt whatsoever in anybody's mind after watching Taare Zameen Par that the real hero of this film is its remarkable, rooted, rock-solid script which provides the landscape for such an emotionally engaging, heart-warming experience.
Between the writer and director, they construct some of the most memorable moments you're likely to come across on screen. Take that simple one that illustrates the everydayness of a schoolboy's life - the one in which we see Ishaan biding his time, punished outside class, moon-walking in the corridor and burping away enthusiastically. Or that heart-wrenching scene in which Ishaan's mother discovers a flip-book he made which reveals just how vulnerable he's been feeling.
It's not just the little moments that stay with you, but also the film's crucial scenes, which are handled with such rare maturity. Like the one in which Aamir, playing art teacher Nikumbh, recognizes that Ishaan has dyslexia when he takes a closer look at the boy's notebooks and identifies such obvious symptoms as poor handwriting, inconsistent spelling and mirror-image writing - it's a big revelation scene and it's filmed in such an inclusive manner that we as the audience make that discovery with Nikumbh.
And then there's that other scene which I consider the most important in the film - the one in which Nikumbh visits Ishaan's home and explains to his parents what exactly is the problem with their son, and how they may have damaged his confidence even further - it's a poignant and delicate scene because Nikumbh is at once confrontational, admonishing, comforting and hopeful, and it works also because it's performed so instinctively by Aamir and the actor playing Ishaan's father.
Lest you be mistaken, let me make it clear that although it's centred around a dyslexic protagonist, Taare Zameen Par is not a film about dyslexia. Nor is it a film about any disease or disorder. It's a film about parents and children, about the pressures we put on our kids, about how we push them into becoming assembly-line products instead of encouraging them to find their own unique strengths. It's also about finding our heroes.
Who can't relate with Taare Zameen Par's eight-year-old protagonist Ishaan Awasthi who can't seem to get his head around his studies? Be it words or numbers, he struggles to make sense of them, falling way behind his classmates, much to the frustration of his teachers and his parents.
Naturally, it doesn't help that his elder brother is a class topper and a tennis champ to boot. Ishaan meanwhile, is a dreamer who's fascinated with little fish, and spends most days punished outside class letting his imagination run riot. At home, he's mixing colours, painting away instead of doing his homework.
Convinced that some strict discipline will straighten him out, Ishaan's father packs him off to a boarding school, much against both his wife and Ishaan's wishes. Unable to deal with this betrayal, Ishaan goes into a shell at his new school, not only failing to show any improvement in his academics, but also no longer inspired to paint. When substitute art teacher, Ram Shankar Nikumbh, recognizes in him all the symptoms of dyslexia, he takes it upon himself to help Ishaan.
First educating his parents about his condition, then urging the school's principal to give the boy more time to catch up, Nikumbh devises unconventional methods to teach the boy, and succeeds eventually in changing his life forever.
There should be no doubt whatsoever in anybody's mind after watching Taare Zameen Par that the real hero of this film is its remarkable, rooted, rock-solid script which provides the landscape for such an emotionally engaging, heart-warming experience.
Between the writer and director, they construct some of the most memorable moments you're likely to come across on screen. Take that simple one that illustrates the everydayness of a schoolboy's life - the one in which we see Ishaan biding his time, punished outside class, moon-walking in the corridor and burping away enthusiastically. Or that heart-wrenching scene in which Ishaan's mother discovers a flip-book he made which reveals just how vulnerable he's been feeling.
It's not just the little moments that stay with you, but also the film's crucial scenes, which are handled with such rare maturity. Like the one in which Aamir, playing art teacher Nikumbh, recognizes that Ishaan has dyslexia when he takes a closer look at the boy's notebooks and identifies such obvious symptoms as poor handwriting, inconsistent spelling and mirror-image writing - it's a big revelation scene and it's filmed in such an inclusive manner that we as the audience make that discovery with Nikumbh.
And then there's that other scene which I consider the most important in the film - the one in which Nikumbh visits Ishaan's home and explains to his parents what exactly is the problem with their son, and how they may have damaged his confidence even further - it's a poignant and delicate scene because Nikumbh is at once confrontational, admonishing, comforting and hopeful, and it works also because it's performed so instinctively by Aamir and the actor playing Ishaan's father.
Lest you be mistaken, let me make it clear that although it's centred around a dyslexic protagonist, Taare Zameen Par is not a film about dyslexia. Nor is it a film about any disease or disorder. It's a film about parents and children, about the pressures we put on our kids, about how we push them into becoming assembly-line products instead of encouraging them to find their own unique strengths. It's also about finding our heroes.
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